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Early Postcards from Aleppo, Belated Cease-fires from Munich, and Picking Up the Pieces
And more recently……
Last week from Munich came a triumphant announcement by foreign secretaries Kerry and Lavrov of major humanitarian interventions in Syria, to be followed in a week by a cease-fire. Celebration was muted, and within hours the news was qualified, deprecated, and disparaged by almost everyone not involved in the negotiations, and some who were. Shortly before the news of the projected ceasefire, Bashar al Assad had declared that he would persevere until he had retaken all of Syria, beginning with Aleppo.
Given that neither a military nor a political solution is in sight, and none of the players seems deeply concerned about civilian casualties, the war will simply continue until the entire countryside, not just parts of it, becomes a sandy quarry for shards of ancient civilizations.
Perhaps the Bedouins will survive, with their camels.
And the Alawites, with their dubiously valuable coastal bases at Latakia and Tartous.
Shortly after January’s blizzard, exiting the Met Museum, I happened on a small display of postcards—faded pastel photos of Aleppo, Damascus, and Hama taken sometime during the French Mandate. These were a poignant contrast to an afternoon spent taking in many square yards of luminous Titians and Tiepolos, Brueghels and Rembrandts–not to mention the various treasures in the new Ancient Near East section.
Selections of the postcards were on offer in an envelope marked For the Syri an Relief Fund of Save the Children, $25, cash only. This last is either an ironic or realistic touch, given that in 2015 the so-called international community pledged $10 billion for Syrian refugee relief, of which less than half actually materialized. According to the U.N., last year’s biggest donor, Kuwait, provided $75 per capita for Syrian relief, followed by Norway with $28. The United States and the European Union provided less than $5 per capita, and Saudi Arabia, Qatar and the United Arab Emirates did no better.
An old postcard view of the famous Aleppo citadel shows it largely overgrown and silted up. It appears much better preserved now, even after the most recent shelling of the citadel, by the government and/or by the insurgents, than in the early photos during the French Mandate. One explanation is the extensive restoration of the ancient site initiated in 2001 by the admirable Aga Khan Foundation, a non-profit international development agency established in 1967 by Prince Shah Karim Al Hussaini, Aga Khan IV, who is the worthy son of the less worthy but colorful playboy who married a movie star named Rita Hayworth.
The citadel of Aleppo has been destroyed countless times since the original temple was built on the plateau in the first millennium B.C.. Most of the remaining structures date from the 12th century, when the son of Saladin the Great excavated the moat, built the massive gateway and ramp, and most important, dug a deep well and a reservoir. The citadel’s slopes were faced with shiny, slippery limestone to discourage attacks, especially by night.
In 1260 the Mongols took the citadel anyway, beginning a series of invasions, from the Mameluks, who added a ring wall with 40 towers but lost it to the Ottomans in 1516. There followed three hundred years of Ottoman peace, which some now recall with nostalgia, and people moved back up to inhabit the citadel. But an 1822 earthquake leveled the citadel’s buildings to the ruins that were being mapped and restored when the Syrian civil war began. The Aga Khan conservation project focused on the outer walls and the Ayyubid palace complex within, while the Ottoman barracks became a well-equipped visitor’s center and cafeteria. The restoration was more or less completed in 2007 and presumably now serves the present convenience of the Syrian Army. Neither foreign journalists nor independent archaeologists have been inside the citadel since the war began. The extent of new damage during these latest years of fighting have inflicted will not be known for some time…..when a new assessment and reconstruction can be imagined to begin.
Is there anything to be said about these repeating cycles of feverish creation, violent destruction, and eventual restoration? The persistence and ingenuity of human efforts to repair and restore seem the only positive element of the terrible wars and natural disasters that have ravaged empires ancient and modern.
After the disastrous Florentine flood of 1966, an international rescue effort was carried out by art historians and students we recognized, even in their wading boots and mackintoshes, in the television coverage. (Cf. my account,”Restoration,” which I just located online, in J-stor.) Eventually, much was learned about art restoration, but much less about flood prevention, and some say that the Arno is as much of a threat now as it was in 1966.
There’s no way to make a transition to the disasters of September 11, 2001, where we had an agonizing, close-in view of the New York attacks. On that morning, we happened to have planned to breakfast downtown with a former student of my husband’s who was then city commissioner of culture. In the ensuing months and years, this remarkable woman had the heavy burden of coordinating much of the Ground Zero project planning and construction. But the terrorists’ mastery of 20th century destructive devices left much less of the World Trade Center to work with than the ruins of the Aleppo citadel.
A group called The Future of Syria is already planning the details of the reconstruction of the country if and when the war ends. At this point they are estimating that the recovery will cost at least $100 billion. Comparing it with the much-praised Marshall Plan for postwar Europe, which cost the U.S. $130 billion in today’s dollars, the Syrian plan seems a realistic if distant investment.
Today, this brutal conflict seems uniquely horrible in the number of innocent civilians killed, injured, and driven from their homes, but in the long view, perhaps it is not. Since 2014 there has been a lively debate, set off by Steven Pinker, as to whether our present bloody era is more or less violent than any in human history.
In any event, the Syrian civil war is a kalaidoscopic fragmentation of its conflicting forces, rebel entities all vying to represent “The Opposition” to the Assad regime in a series of variously stalled peace talks. Research has shown that in any civil war, the greater the number of warring factions and of their international sponsors, the longer the war will last. The Islamic State alone has at least four names, including ISIS, ISIL, and Daesh, and it has carved out for itself a role as the common enemy of all the groups fighting alongside or against the Assad regime. In North Latakia alone, dozens of insurgent groups have emerged, including irregular militias like the Muqawama Suriya and the Iraqi Harakat al-Nujaba, Jabal al-Akrad, and Jabal al-Turkoman. (Note that Jabal means hill or mountain.) I can’t resist adding that the A’isha Mother of the Believers Battalion was the name of a sub-formation of the Storm Brigade, now shifting to the First Coastal Brigade.
“Men and nations,” said the Israeli diplomat Abba Eban, “do behave wisely once they have exhausted all other alternatives.”
The Syrian postcard benefit project was the bright idea of a conservator on the Metropolitan museum staff, Jean-Francois de Laperouse, who works primarily with the Ancient Near Eastern and Islamic collections. How much pain he must be suffering during these years of destruction of a culture that he knows so well.
His 18th-century ancestor was a famous explorer who mapped, among other places, the Pacific Coast of North America.
I would like to include here an interview with the living Laperouse, but I had to leave the wonderful museum, and return to the coast mapped by his ancestor.
Again: the cards are $25 each packet, payable in CASH.